![]() ![]() ![]() Strain the product through a coffee filter, cool, and filter again. With disposable gloves to prevent stained fingers, simmer the drupes in water in a stainless steel pot for four to six hours. To make walnut ink, gather the drupes (the fruit) from under black walnut trees. Purchase archival walnut ink ready to use or prepare your own. To approximate the color of Old Master drawings as they appear today, try walnut ink. Over time, their drawings faded from black tones to warm brown ones. Both Rembrandt and Van Gogh worked with iron-gall ink. Before India ink arrived in the Western world in the 17th century, European artists used nonlightfast writing inks, such as iron-gall ink, made from outgrowths on oak or apple trees. For example, they could draw with graphite before adding ink to complete the image. Western InksĪs other types of paper became common, artists could work with ink in a more forgiving way. When you’re finished for the day, hang your brushes point-down to keep moisture from swelling the holder and loosening the hairs.īrushstrokes created with sumi-e ink. Each stroke is final - Van Gogh called it “drawing with lightning.” The ink is pulled into the surface and dries instantaneously. The first moment the brush touches the absorbent surface is a startling experience. ![]() Dip the brush in ink, and holding the brush vertically, touch the tip to the rice paper, gently varying the pressure. Reshape the point, using a cloth so that the oil on your fingers does not touch the brush hairs. To prepare a new brush, swirl it in water to remove the glue holding it in shape. Ink will go through the paper, creating a reverse image. Rice paper, which is made from elm, mulberry, bamboo, or rice fibers, has little sizing. Unroll the rice paper on a blotting felt or other nonabsorbent surface, such as glass or an enamel butcher tray. As the solid ink returns to liquid form affords, you’ll have time to prepare for the intense concentration you’ll need for the brushstrokes you’ll be making. Then, repeat the process with fresh water, yielding usable ink. First, sand away the ink block’s protective coating by rubbing it with water against the grinding stone, and discard that water. You’ll also need a slate grinding stone, a brush, and rice paper. You can try a version of this traditional process yourself using an aged ink stick. Right, Chinese sumi-e ink stick with slate lava grinding dish. Left, rice paper with Chinese hake brush, handmade bamboo pen, walnut drawing stick, combination hair drawing brush, and chop stick. ![]()
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